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Mixes Vito's scenes ignored of the first novel with a totally new plot with Michael during the 50s. Part III Gordon Willis’ cinematography is celebrated for its darkness; it's prosperous, atmospheric, expressive. You cannot value this on tv as the photograph is artificially brightened. Coppola populates his dark interior spaces https://greatbookmarking.com/story18834180/the-best-side-of-movie-review

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